Friday, October 29, 2010

Vikram Akula’s Dilemma – Profit Vs Non-Profit




“We have given the poor a chance,” said the CEO of SKS Microfinance in an interview to CNBC-TV18. You usually don’t hear such things from the CEO of a company that is going public. But then Vikram Akula is not your typical black-jacket CEO variety, he prefers sporting bright cotton kurtas, avoids jargons like “inorganic growth going forward”. He is more likely the type who eats organic rice probably grown in the most arid parts of Andhra Pradesh where SKS operates.

Vikram Akula flung to fame when he rescued the poor in the Telengana region from the exploitative tactics of local moneylenders. His idea was pure and his execution impeccable. Lend money to those who need it but can’t borrow. Since 1997, SKS Society, a not-for-profit organization, has been lending money as low as Rs 100 to a maximum at Rs 15000 to millions of people. In CK Prahalad’s parlance, SKS was targeting the bottom of the pyramid. Over the years, his business grew big. Very big. Big enough to help millions, big enough for politicians to wonder how he did it and big enough for South Bombay bankers to salivate. Now, SKS is India’s largest non-banking finance company, bigger than many govt and private banks, and has a portfolio worth 1 billion dollars.

So far so good. Now SKS wants to grow bigger and needs more capital. So Akula has brought his baby to the shrine of capitalism – the stock markets. SKS is offering 1.68 crore share to the public to raise Rs 1500 crore through an Initial Public Offer (IPO). Stock market pundits are all singing rah-rah about the uniqueness of the business model, the untapped potential of the microfinance industry and the top notch quality of management. True, SKS Microfinance is a kickass stock to buy, even if it is a tad expensive off-the-counter, but that’s not where the problem is. The problem is what Vikram Akula stands for or atleast stood for. The vision of what began as a noble social initiative whose objective was to cater to the financial needs of the poor in a sustainable (not profitable) and professional manner seems muddled now (Remember, SKS Society started in 1997 as a not-for-profit firm). So muddled that skeptics have a reason to questions Akula’s intention in the first place. Some reports say that the initial investment of the promoter was anywhere between Rs 24 to Rs 137 per share. Now, Akula and others have sold to investors at a whopping Rs 636 per share. That was just one-fourth of his stock options that fetched him 26 times returns.Frankly, it does not bother me so much that Akula personally got a great deal. Here was an entrepreneur who had an idea started a business, created value and cashed out when the opportunity arose.What bothers me is ‘why’ SKS Microfinance wants to access the capital markets, and ‘how’ it has transformed into a capital hungry leviathan that is seeking profits. More importantly, my angst is its eagerness to allow private equity players and other market investors such as Sequoia Capital to become part owners of the company. I am told when the issue hits the market; Sequioa will sell 10% of its holding.Don’t get me wrong, I hold no grudges against the Sequioas of the world, in fact, quite the contrary. They do a fantastic job finding the right business, fund it, watch it grow and sell for a profit. So their objectives are very clear.
But what is SKS’s objective? The larger question – Is the goal of a microfinance venture making profits? Vikram Akula, in an interview to CNBC-TV18, defended saying, “We believe that if we use the commercial approach you can actually raise more capital and disburse to more people. We have disbursed over last 5 yrs, 3.2 bn dollars (Rs 14,000 cr). We feel that this in fact is the best way to put most money into most hands of people.”

That’s one view, here is the other: The Financial Times reports that Muhammad Yunus, the Nobel Peace Prize-winning founder of Bangladesh’s Grameen Bank, has criticised the commercialisation of the industry, saying profit-oriented microlenders are little different to the loan sharks they once set out to replace.Meanwhile, I came across some more information that disturbed me. One more part owner of SKS, Unitus Holding, originally a microfinance funding company sacked its employees and unwound its microfinance operations after Vikram’s IPO plans got finalized. Some of its Directors, I hear, will directly gain in their personal capacity from the public issue, as promoters.
Frankly, I don’t know what is right or wrong. So I reached out to Deval Sanghavi of Dasra.Deval argues that all social businesses should not have a goal to make profits but instead reach out to a greater beneficiary base in a sustainable manner. “Unfortunately, it is difficult for these organizations to raise large amounts of philanthropic funding therefore encourage investment from for-profit investors who at times decrease the organization’s social impact by demanding a greater ROI. Therefore once these two parties for-profit investor and social business are brought together questions do arise in terms of motives. At that time it is really up to the management team and board to determine which path to take,” he says.I haven’t been able to make up my mind on which side is right. I’ll leave you to do that. But my bigger fear is the fallout of the SKS’ IPO, if it succeeds. Tomorrow, sensing this valuation game every (dare I say) shady real estate company in India, under the garb of a social cause, may float a microfinance company.
We run the risk of several wannabe Akulas putting up a farce of lending to millions of “unbanked” people, wait for the business to gain some critical mass, sell stake to an investor and walk away with a profit. None of this is against the law.
But isn’t there a moral dilemma here?

Sunday, June 20, 2010

Mani's Ramayana

"Has Maniratnam lost his marbles?" asked a friend, after watching his latest Raavan, in Hindi, starring Abhishek, Aishwarya and Vikram.
For the first time after watching a Maniratnam film, have I felt so ambivalent. The story, as the name suggests, is loosely based on the Ramayana. As one popular version of the legend goes, Ravana kidnaps Sita to avenge the humiliation suffered by his sister Shoorpanaka, by Rama's brother Lakshmana. Then Rama, with the help of all good forces, launches a battle against the demon king, good triumphs over evil. And...wait...before he accepts Sita back, she goes through an Agni Pariksha to prove her chastisty. End of story. This is the Ramayana we all know.

Now replace Rama with Dev, a cop played by Vikram, Aishwarya plays his wife, Ragini. And then, there is Bira played by Abhishek, who is the anti-god, the antagonist Raavana, who kidnaps Raagini, and falls in love with her. Bira, is a tribal leader, who the State is after. His sister is dragged out of her wedding by cops and ends up being a victim of custodial rape. This explains Bira's motivation to kidnap Ragini. So it is a pretty simple straightforward story, which you could argue, Mani does not attempt explaining in great detail. But then, why should he? The Ramayana, is pretty much part of our collective conscious. There is no needless banter to even an attempt to create a context or build character.

Instead, Mani employs the visual medium as the narrative. Many of his earlier films such as Roja or even Kannthil, had beautiful imagery or interesting frames as tools to create the intangible flavour of a Mani film. In Ravana, the medium is the message. The visual is the screenplay.
The breathtaking locales and the Santosh Sivan's brilliance leave you spellbound. The cinema of Raavana is so powerful that you cannot be a part of its cast and not get noticed . C'mon, how can you be a Ravana or even a Hanuman in anyone's Ramayana and not get noticed.

This treatment of Ramayana needed the actors to perform as if they were on stage, or maybe in a musical or a pantomime. The challenge, therfore, was to match the visual brilliance with the power of performance. No room for subtlety....you had to be loud. Which brings me to Bira and Abhishek Bacchan. What I felt the most about Ravan was that I did not feel anything for Bira. I was neither angry with him nor did I feel pity. Abhishek does very little to explain why the anti-hero deserves to be loved. The problem with Abhishek has been his inability to understand Ravana's pain or dilemma. His facial expressions make an attempt to reveal Ravana's neurosis and his self-destructive jealousy, but his body language is too much of lanky city-bred hip-hopper, whose pedicured nails, are out of sync with the anger that his eyes try to convey. The physical challenge that Abhishek, Vikram and Aishwarya have had to go through as Bira, Dev and Raagini is what makes this film, Mani's Ramayana. Abhishek unfortunately makes a feeble attempt at Bira. Vikram, on the other hand, is compelling, and makes me want to watch the Tamil version of the film where he plays Ravanan. Aishwarya is beautiful and refreshingly not affected.

This Ramayana needs to understood in many layers. It is a state versus renegade battle - so topical as the Govt of India is currently trying to crush the naxal movement across many parts of the country. It also reminds me in parts of the story of the forest brigand Veerapan. Perhaps why, the antagonist was named Bira.

So, in the final analysis, I dont think Mani has lost his marbles at all. This baby from Madras Talkies is different. Very different from what we have seen so far from his stable. To me, it is sheer poetry in celluloid. Watch it without comparing it to his previous works. The only point of reference is Valmiki's Ramayana.

Friday, January 15, 2010

Why Men are colour blind!

I am sure you have been in this situation. So, you are shopping with a woman (wife, girlfriend, cousin whoever). The scene at some obscenely expensive and overrated fashion store with a pretentious name and the conversation goes like this:

Shop girl: Ma'am, have you seen our winter collection?
Lady: "I am looking for a....perhaps that burgundy top ...over there...."
Shop Girl: "May be you can mix and match with that Mauve scarf..."
Lady: " Or...give me that one with a bit of Fuschia thrown in...it looks fab"

If parts of this conversation went 'beep' in your head, please continue reading. And for others, who understood it all, (mostly ladies I presume) please bear with me as I present a some honest confessions about men.
We Men are colour blind!
Well...not entirely, we understand basic colours like red, blue, black, white, green, yellow etc. And I'll tell you why. Some of these colours we can easily associate with. Brown - Chocolate, Maroon - My favourite, Grey - Jacket, Black - the only colour we wear on saturday night, Red or Green - the house we represented in school and so on. And, after the light experiment in the physics lab in Class 8, we successfully learnt the VIBGYOR. Well.....not entirely (Quick note for boys: Violet - No it is not purple. It is the other one. Indigo - Not Tata. This was out of CBSE syllabus.) But beyond this spectrum is an optical blur for us and it becomes a test of intelligence that we do not possess. Teal, I am told is a colour.
Here's a list of colours that we men have no clue about but we ought to know. Guys, I don't know them myself, so I am giving you broad hints on what they look like....figure it out yourself:
Mauve - Pronounced as pretentiously as possible. Approximately like your faded NCC uniform
Burgundy - Like an Old Monk bottle! I think...
Fuschia - Is a colour. Is not f*** you in French. Belongs to the red family. Near a tomato.
Peach - Like peach snapps...or may be not. Go figure it out
Tuscany - Is not a colour you dickhead!
Lilac - Sorry dude! no idea!
Olive - Some strain of green
So, guys, incase you have other colours that I need to learn. Please add and enlighten me.
PS: The colour status that women posted on FB, I am told, is the colour of the bra they are wearing ...because of some breastcancer awareness campaign. So now go quickly go and check out...who posted "burgundy", "peach" or NONE!!!